Harley Richards’ celebrates the ancient waterways and pathways used by the Noongar people of Lake Goollelal. This is a culturally significant area and a Registered Aboriginal Site because it was a meeting place and a burial place.

The Wilman Wadandi Highway is the gateway to the South West and features eight commissions along the 27 km journey from Forrest Highway to Bussell Highway. The artworks are site-responsive, and share stories of the cultural and natural history of the Greater Bunbury Region.

The Fremantle Biennale is a biennial festival of site-responsive contemporary art presenting artworks from Australia and the world. Founded by Tom Muller, Corine van Hall and Pete Stone in 2017, the Fremantle Biennale collaborates with artists to commission remarkable and experimental site-responsive contemporary art, across arts forms and practices in non-institutional and appropriated spaces.

Jo Brown is an artist with a deep interest in local botany. As a botanical designer she takes familial plants and elevates them to iconic status. From a perception of chaos and the other (as an immigrant), she finds the symmetry in nature.

Trevor Richards’ concept for a painted metagraphic painted on walls, roads and laneways through the City Centre redevelopment area uses the colours of the famous Geraldton Wax flower. The artwork weaves through buildings and roads to connect the foreshore to the Art Gallery precinct.

The Scarborough Redevelopment was a major state and local government project to transform the beachfront and reposition Scarborough as a safe, attractive and contemporary beach destination. Artists Sharon Egan and Bevan Honey’s artworks bring local stories and culture into the public domain.

Marcus Canning and the install team from Wanneroo Cranes and True Blue Containers landed Rainbow in a gruelling 12 hour install and online media event with a live audience watching as the 9 sea-containers were craned into place. By sunset that evening Fremantle had a brand new iconic entry statement expressing the culture, energy and industry of the port town.

This sculpture is a reinterpretation of more than 200,000 signatures collected from school students across Western Australia in 1999 as part of the millennium celebrations. These signatures formerly at the base of the Bell Tower, have been etched into the copper plated sculpture at Barrack Square.

QFest; Cue Outback Festival was a free community festival inspired by the heady Goldrush period of Cue. Presenting Australian artists, musicians, theatre and the extravagant Queens of the Murchison. Free family fun under the Lunar big tent with costumed, choreographed drag shows specially designed for Cue, the Queen of the Murchison.